Doenload Antares Auto Tune Adobe Audition Cs6

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Auto Tune Adobe Audition

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Hailed at its introduction as a 'holy grail of recording,' by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation and timing. All with a user-interface that is a model of clarity, speed and ease-of-use.
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LEARN ABOUT AUTOTUNING AND HAVE SOME FUN BY USING AUTOTUNE ON A VOCAL TRACK! | We’ll use the Auto Pitch Correction Feature in Audition to have some fun with a vocal track and learn a little about autotune in Adobe Audition CC as well.

In this Audition tutorial, I’ll use a vocal track I put together using lyrics inspired by some YouTube song I saw a while ago that used Jason Mraz’s “I’m Yours” song as a backing track. Here we’ll explore how to get the right scale and key for your vocals and even touch on the very unknown “Calibration A4” option in the auto pitch correction feature that Audition offers us.

Auto Pitch correction new with all copies of Audition beginning with CS6 onward. Go to 9.473 on the timeline and trim up the music track and but both vocal and music tracks to the first frame (turn on snapping if needed) This effect can be applied to the Effect rack in the Multitrack environment or applied directly to a piece of audio.

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Tutorial Recording Notes:

Disclaimer: these are the actual notes I used to record this video and are written in a language you may or may not understand. Hopefully, you find them useful or cool.

  1. You can go into the multitrack and add some reverb with the great haul setting to add some flair to it. Might need to tune some of those settings.
  2. Effects Rack: Mix should be set to 100%!
  3. Auto Pitch correction new with all copies of Audition beginning with CS6 onward.
  4. Go to 9.473 on the timeline and trim up the music track and but both vocal and music tracks to the first frame (turn on snapping if needed)
  5. This effect can be applied to the Effect rack in the Multitrack environment or applied directly to a piece of audio.
  6. Chromatic scale = Audition doing its best to guess which scale this is.
  7. Use higher attack and sensitivity for more of a pop or hip-hop vocal type of effect that you hear so often these days. Pretty cool.
  8. Go with Major C, 10–200, still sound bad so change the Calibration A45 to 410Hz instead of 440HZ.
  9. Knowing my vocal and audio limitations, it’s a good bet that I’ve messed something up because 410 sounds way better than 440 in my case. Your project may be different.
  10. Add Studio Reverb to the track as well. Choose Vocal Reverb (large) preset and let it ride.

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